InFull FramebyWilliam SidnamThe Dying Neon Mall in the Heart of the CityExploring the dystopian carcass of a one-time shopping arcade of the futureAug 30, 20242Aug 30, 20242
InFull FramebyWilliam SidnamA Tale of Two Cities (and Lives) in One CompositionThe joys and frustrations of shooting two photos from opposite sides of the world on a half-frame camera.Jun 7, 20242Jun 7, 20242
InFull FramebyWilliam SidnamHere, There & Nowhere: The Vague Sense of Being Caught Between Two WorldsHow a homecoming to New Zealand made me reflect on my place in a France increasingly on edgeJun 24, 20249Jun 24, 20249
William SidnamFinding a Slice of New Zealand on the Outskirts of ParisThe Uncanny Valley of walking down a street in France that looks awfully like homeApr 25, 2023Apr 25, 2023
InFull FramebyWilliam SidnamExploring New Zealand’s Remote West Coast on 35mm FilmThe sublime isolation of a Covid-free country on Fuji Velvia 100Apr 24, 20233Apr 24, 20233
William SidnamThe Graveyard Shift at the Bottom of the WorldA photo essay of my accidental digital nomad year in pre-Covid New ZealandApr 19, 20235Apr 19, 20235
William SidnamWhen the Mother of the Nation Became a MotherHow I made an ad about New Zealand Prime Minister Jacinda Ardern's babyMar 22, 2023Mar 22, 2023
William SidnamHow French People Communicate Differently from New ZealandersA semi-ironic guide to talking to peopleSep 14, 20221Sep 14, 20221
William SidnamHow Self-deprecation Works in New Zealand (and Doesn’t in France)We're just terrible at showing offSep 1, 2022Sep 1, 2022